Japan movie project blue giri

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Samurai cinema

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As with the previous Macross series, the Macross Delta staff have scouted new talent for the anime. Auditions began on December 1, On February 7,it was reported that over 8, people auditioned to star in the new series. The final selection round was held in Tokyo in late April The finalists went through interviews with the judges, and demonstrated their singing and voice performing skills.

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Kawamori appeared at the event to reveal the main staff, the winner of the audition for the new singer in the anime, and the new anime's characters. A promotional visual created by artist Hidetaka Tenjin an depicting 2 fictional dogfighting aircraft was posted in the franchise's official website on Friday the 25th September Kawamori confirmed that both fighters in the visual are "Valkyries" transforming variable fightersand he specifically cited the old Swedish jet fighter Saab 35 Draken as an inspiration for the darker Valkyrie in the background of the image.

Kawamori added that he has been a fan of the Draken jet since he was a child. He also acknowledged that the blue and white Valkyrie in the foreground shares a design lineage with previous variable fighters in the Macross series and therefore was less of a challenge to design. By contrast, the background variable fighter will feature a relatively new transformation scheme that bears little similarity to those of previous Valkyries. Shoji Kawamori explained that the two fighters have exhausts in different colors because they were developed by different companies.

He also noted that he has been deliberately avoiding more direct design inspirations from current real world fighters, since stealth technology has made modern combat aircraft look too similar and harder to distinguish from each other. While video productions such as Macross Plus and Macross Zero prominently featured variable fighters against each other, Kawamori admitted that it has not been the focus in a Macross television series in a long time.

However, unlike the YF the VF design has built-in gunpods in its arms and forward-swept wings. The new variable fighter design was inspired by the real-life Saab 35 Draken. While describing the Sv, Kawamori mentioned that this is the first time that a Valkyrie with this unique delta wing design variant has appeared in Macross.

Hidetaka Tenjin also noted that unlike other Valkyries its cockpit is not transparent. The Macross Delta logo features a planet within the Japanese characters that form the word "Macross".

Shoji Kawamori specifically noted that this planet is the main setting for the new series. He also explained that this was made deliberately in direct contrast with Macross Frontierwhose setting was primarily in space.

Kawamori started to describe more details about Macross Delta' s setting but stopped short and asked fans to watch "The Super Dimension" Production Unveiling event.

Kawamori pointed out that the delta symbol in the logo is made of triangular symbols to symbolize the three main thematic elements of Macross : music, a love triangle, and Valkyries. However, he also noted that the two symbols are split, and explained that this is indicative that the three elements will not come together as expected in the new story.Nympho Japanese Milf cheats on her sick husband molested on metro.

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School girl in a bus part 2 7 min Nandyal Boy - 2. Fuck girl on the bus 71 min Godingdang - What is it about the samurai that captivates Westerners? I believe it might be that at the core of every samurai is the code of bushidothe feudal Japanese equivalent of chivalry, with its one edict above all else: If the time should call for it, protect your lord with your life.

That self-abnegation in service of something greater than oneself is the question at the heart of the works of generation after generation of directors as they revisit the samurai film.

This is a broad genre, just from a the standpoint of how much history falls within it. The American Western falls more or less within the bounds of the 19th Century, yet samurai films offer centuries of warfare, palace intrigue and a drawn-out end of an era for the history and film buff to chew on.

Samurai flicks really have something for everyone. Fans of period pieces will love the intricate set design, costuming and portrayals of towering historical figures in the midst of epic conflict. If operatic drama is more your speed, you can sit back and watch committed actors dine upon lavish scenery.

Action junkies get to watch riveting combat with cool-looking swords.


It is with solemn bushido reverence that I invite you to join us as we dive into 50 films that exemplify this mightiest of genres. The Muromachi Period encompasses the bulk of the movies in this list, but this part deals with the handful that occur in earlier times, before the ceaseless age of war that followed. For the purposes of our list, here are the films dealing with samurai before the rise of the shogun and the horrific century of bloody civil war that followed.

This film was actually censored by U. The slim minute movie tells a story set in A. Kurosawa would go on to hammer out decade after decade of indelible film classics and indispensable samurai films. Check out this short meditation to see how much he already knew 15 years before he even made Yojimbo. What does it mean to be a good man? Does it mean unwavering fealty to your lord and land, an indomitable will to carry out your duties despite risk to your own safety?

Does it mean devotion to your wife, and loyalty to her above all others? What happens when the first man grows jealous of the second man? All the same, he proves the better of the two by modern and even archaic definitions of manliness, while Morito proves himself to be something of a monster in spite of his martial virtues. What you get out of Rashomon likely reflects what you bring into it, but it might help to bring a basic grasp of cubism to the proceedings.

The bandit, the man accused of murdering a samurai and raping his wife? The wife? The samurai himself, summoned to the trial via spirit medium? A system of violent, treacherous feudalism arose that created a sort of golden age of the samurai.

Sengoku Jidai —this age of civil war—lasted a blood-soaked century and a half. Films set in this period feature massive armies clashing on horseback, devious clan warfare and intrigue, castles under siege, and earth-shattering historical epics written in noble blood. Toshiro Mifune stars as Washizu, a loyal samurai retainer driven to ambition and then ruin after receiving a prophecy from an evil spirit while wandering the aftermath of a decisive battle. The stark black-and-white photography Kurosawa employs here, more even than his better-remembered samurai films like Yojimbo or The Seven Samuraidemonstrates how much care he puts into each shot, whether it requires the exact timing and coordination of hundreds of extras, intricate blocking as a single character succumbs to madness or despair, or framing a motionless evil spirit leering menacingly in the midst of a fog-shrouded forest.

Throne of Blood is the rare film that can function as both a love letter to its source material and a unique work of art in its own right. And it puts other, lazier adaptations of Shakespeare to shame, too. Initially told from the point of view of two bumbling, quarrelsome civilians Minoru Chiaki and Kamatari Fujiwara who are lured into the thick of a war zone by the promise of gold, the story soon finds them running afoul of two opposing clans.Chanbara is a sub-category of jidaigekiwhich equates to period drama.

Jidaigeki may refer to a story set in a historical period, though not necessarily dealing with a samurai character or depicting swordplay. While earlier samurai period pieces were more dramatic rather than action-based, samurai movies produced post World War II have become more action-based, with darker and more violent characters.

Post war samurai epics tended to portray psychologically or physically scarred warriors.

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His samurai, and many others portrayed in film, were solitary figures, more often concerned with concealing their martial abilities, rather than showing them off. Historically, the genre is usually set during the Tokugawa era — Samurai films were constantly made into the early s, but by then, overexposure on television, the aging of the big stars of the genre, and the continued decline of the mainstream Japanese film industry put a halt to most of the production of this genre.

Akira Kurosawa is the best known to western audiences, and similarly has directed the samurai films best known in the West.

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Mifune himself had a production company that produced samurai epics, often with him starring. A number of his films were remade in Italy and the United States as westernsor as action films set in other contexts. It also illustrates some of the conventions of samurai film in that the main characters are ronin, masterless unemployed samuraifree to act as their conscience dictates. Importantly, these men tend to deal with their problems with their swords and are very skilled at doing so.

It also shows the helplessness of the peasantry and the distinction between the two classes. Masaki Kobayashi directed the films Harakiri and Samurai Rebellionboth cynical films based on flawed loyalty to the clan.

Kihachi Okamoto films focus on violence in a particular fashion. In particular in his films Samurai AssassinKill! The latter is particularly violent, the main character engaging in combat for a lengthy 7 minutes of film at the end of the movie.

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His characters are often estranged from their environments, and their violence is a flawed reaction to this. Hideo Goshaand many of his films helped create the archetype of the samurai outlaw. Gosha's films are as important as Kurosawa's in terms of their influence, visual style and content, yet are not as well known in the West. Gosha's films often portrayed the struggle between traditional and modernist thought and were decidedly anti-feudal.

He largely stopped making chambara, switching to the Yakuza genre, in the s. Kenji Misumi was active making samurai films from the s to the mid s. He directed roughly 30 films in the genre, including some the Lone Wolf and Cub films, and a number in the Zatoichi series. An excellent example of the kind of immediacy and action evident in the best genre is seen Gosha's first film, the Three Outlaw Samuraibased on a television series.

Three farmers kidnap the daughter of the local magistrate in order to call attention to the starvation of local peasants, a ronin appears and decides to help them. In the process, two other ronin with shifting allegiances join the drama, the conflict widens, eventually leading to betrayal, assassination and battles between armies of mercenary ronin. The film was a huge success. It was released in DVD on December 26, The film has been licensed for distribution in over 60 countries in Europe, Latin America and Asia.

A burly masseur and yakuza with short hair, he is a skilled swordsman who fights using only his hearing. While less known in the West, he is arguably the most famous chanbara character in Japan. Four movies about another blind character, Oichi a.Ai nashi, Japan mom, enjoys cock in her shaved cherry - More at Javhd. Sex before they made their school projects. Japanese schoolgirl, Kaede Oshiro is fucking her virgin classmate, uncensored.

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A dark comedy of word games, sex, fantasy and pop tarts. A North Carolina sheriff investigates the near-fatal drug overdose of an underachieving college girl, and uncovers many sordid details of her life before and during her descent into drugs and debauchery.

Upcoming Releases for Japan

A woman becomes immersed in a brutal love triangle when an unwelcomed admirer kills her abusive husband even though she's already having an affair. When Toni discovers several of his men have been scammed by a Russian mail-order bride who? Set in 19th Century Canada, Brigette and her sister Ginger take refuge in a Traders' Fort which later becomes under siege by some savage werewolves. Andrea Marr is a bright, straight-A, mature, year-old high school senior on the verge of womanhood who decides to abandon her sheltered, boring lifestyle and her bookish friend Darcy for a look into the local rock and roll scene as a groupie to local rock singer Tod Sparrow and learn more about the life of one who follows a touring band along with her new friends aspiring rock star wannabee Cybil, outgoing fellow groupie Rebecca, and music critic Kevin.

Written by matt I've read some very good and very bad reviews of "Girl", and I can't exactly agree with either. Was it life-changing and Oscar worthy? Heh, not by any means No, not that either. I like Dominique Swain's character, Andrea, as part pop-philosopher and part dumb teenager.

I mean, no matter how smart she is, and how wonderful people tell her she is, she can't believe it, and thinks sleeping with the rock star makes her "somebody". I liked the supporting cast, and thoroughly hated Todd Sparrow as we should. I'd like to have seen more from Rebecca Summer Phoenixas she's potentially as interesting a study as Andrea, if not more.

But it moves along nicely, and the girl grows up The life of a teenager is not profound, we just think it is when when we're in the middle of it.

I think this movie gets that across pretty well. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits.


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